
I had other offers as well, but I felt like they weren’t for me. Me, just feeling it was the right decision.

What caused you to make that transition down south? For me, it was all about vibes and intuition. It’s just very exciting and I’m just glad to be here, overall. How does it feel to be considered in that lexicon? I feel like I really surpassed everything that I thought I could in such little time. Your song reminds me of that era were people where at Fuel City, jigging in the parking lots. I looked at one of his interviews, and he said when he made “Buss It,” it reminded him of the Dallas Boogie movement. I hit him up saying I really want to interview Erica. I’m mutuals with your producer on Twitter. You know, to put my music out and express myself the way I like. I’m just glad to finally be able to be a part of it. How does it feel to be one of the voices in this resurgence of the city’s sound in mainstream hip-hop? It’s unexplainable. Over the last 12 months, women rappers from Dallas have been blowing up like yourself and Enchanting. Okay, “How do I do that? I want to be one of them.” So, for me, now to be a candidate is crazy. This is something that I came into the industry, thinking.
#Erica banks how to#
This is something that I’ve always wondered on how to make. How are you feeling about that? I’m pretty lit about it. But unlike previous tracks, it is from a women’s perspective.īecause, to be quite honest, women are running hip-hop.ĭays before voting ended for XXL magazine’s Freshmen List, which Banks was in the running for, we spoke about her excitement of being a nominee, the making of “Buss It ,” and Dallas’ representation in mainstream hip-hop.Ĭongrats on being the potential 10th spot on the XXL Freshmen. The Sgt J-produced track flipped Nelly’s “Hot In Herre” into a quintessential twerking anthem, aligning with the city’s history of dance songs to “throw” ass too. “Buss It ,” her first Billboard Hot 100 single, inspired the first viral challenge of 2021.

The rappers are no longer based in Dallas-Fort Worth, but their successes are indications that the region’s resurgence on a national stage is no fluke.Īnd in the case of Banks, she conquered one of the highest stages in pop culture, TikTok. Last month, Enchanting, a Fort Worth-raised rapper, signed to Gucci Mane’s The New 1017 record label, after her video for “Want Sum” took over Twitter. However, I interpreted Banks as the latest woman rapper from Dallas-Fort Worth to garner national attention.

Both are young Black women rappers from Texas. I knew, of course, comparisons would be made to Megan Thee Stallion, her labelmate. Whether the caption was to assert her hometown in opposition to the glistening 1501 chain, a signifier of her signage to the Houston record label, or a playful introduction to new listeners on social media, I was heavily intrigued in the emergent career of the Desoto High School alum. At first glance, my eyes diverted to Banks’ playful caption, “D-TOWN BITCH, I’M HEAVY,” which persuaded me to watch the 45 second snippet. A video of her freestyling to “Need It” by Migos and YoungBoy Never Broke Again had gone viral on Twitter. I first heard Erica Banks in June of 2020.
